Augmented Reality in Quartz Composer used to generate OSC messages to manipulate parameters of Buffer Override as an insert in an audio track.

Just a preview, and how you can use the ARDJ software with ableton… basically me messing around with it. Talking about the software a bit and how it works. :) Enjoy!

Get the software free at http://www.lipert.net/ardj

A lot of buzz around AR has been around its use as a means to either modify the information we see about the world around us, gaming, or ‘magic’ (as described in a previous post). Earlier this last week we saw AR not as a result, but as a means input or control in “Home automation through augmented reality” which used QR codes as markers to activate objects around the house. The end result does not involve any augmented or modified vision or perception, but rather, real life changes in physical objects and environments (on or off, dark room or bright room). This example very loosely qualifies as ‘augmented reality’ in my book, but is not undeserving of attention from the AR community as a example of computer vision with (long winded) real world application (not efficiency, but visible to us without aid of a device). ARDJ sort of follows this same track in its purpose– it provides an alternative means of control of particular parameters. The end results is again, not visual. AR or not? Meeeh—- but it is a reminder that AR doesn’t have to be related to navigation or information overlay, and can exist as a broader, more creative technology allowing for organic human gesture and manipulation to come into play.